
FOX IN THE SHADOWS is inspired by the real experiences of Freddie and Truus Oversteegen, teenage sisters who joined the Dutch resistance during World War II. When I first encountered their story, what struck me was not the scale of their actions, but their intimacy. How close violence lived to everyday life, and how young they were when they were forced to carry it.
This film is not about heroism or strategy. It is about a moment. Specifically, the moment when a child realizes the world will not protect her, and that love may demand more than she ever imagined giving.
At the center of the film is Frieda, a girl who believes she understands what her older sister does, until she is confronted with the reality of it. Frieda follows Trudi not because she intends to act, but because she wants to belong. She imitates before she understands. When violence erupts, it is not planned or anticipated; it is emotional, reactive, and irreversible.
I was careful not to foreshadow this moment or frame it as inevitable. I wanted it to feel sudden and wrong, as these moments often do in real life. Meaning arrives afterward in the quiet adoption of behaviors that once belonged to someone else.
FOX IN THE SHADOWS explores the tension between innocence and necessity, between intimacy and brutality. It is a story about sisterhood, inheritance, and the cost of survival; Especially for those who are forced to grow up too soon.
Set in Nazi-occupied Netherlands in 1944, FOX IN THE SHADOWS follows sisters Trudi (20) and Frieda (14) as they navigate life under occupation. Trudi is embedded in the Dutch resistance, using charm and misdirection as tools of war. Frieda, still clinging to childhood, is drawn to Trudi’s poise without fully understanding what it costs.
On an evening "mission", Trudi enters a local tavern targeting an SS officer, playing the role he expects in order to disarm him. Frieda secretly follows, observing from the edges, learning posture, and performance without yet grasping the stakes.
Trudi's plan is to lure the officer into the woods, where she intends to execute him away from witnesses. The plan collapses in an instant. The officer recognizes the threat, overpowers Trudi, and the situation turns brutal and immediate. Hidden nearby, Frieda witnesses the brutality of war first hand. She is forced into a split-second decision driven by love and panic rather than training, crossing a line she never expected to cross.
In the aftermath, the film shifts from the act itself to what remains: grief, survival, and the quiet inheritance of a role passed from sister to sister. FOX IN THE SHADOWS is not a story of triumph, but of necessity. How war is indiscriminate at who is affects. How it can weaponizes intimacy, and how innocence can be lost in a single irreversible moment.

At its heart, FOX IN THE SHADOWS is a story about sisters. Knowledge, language, and behavior are passed down quietly, often without explanation. What begins as imitation becomes responsibility, and intimacy becomes the means through which survival is learned.
The film considers how femininity can become a tool under occupation. Charm, appearance, and social expectation are not presented as empowerment, but as strategies shaped by environment. Roles performed in order to endure.
The film explores the fragile boundary between childhood and adulthood in times of war. Frieda does not seek violence; she is pulled into it by proximity, love, and circumstance. The story examines how necessity can force irreversible choices before one is ready to make them.
Rather than portraying resistance as heroic or triumphant, the film focuses on its emotional toll. Violence leaves residue. Survival carries weight. The film asks what remains after an act deemed “necessary” has been committed.
Theme Comps:
• The Hunger Games (2012)
• Hidden Figures (2016)
• Zero Dark Thirty (2012)
Theme Comps:
• Dunkirk (2017)
• The Book Thief (2013)
• Unbroken (2014)
Theme Comps:
• The Hunger Games (2012)
• A Quiet Place (2018)
• Little Women (2019)
Theme Comps:
• The Hunger Games (2012)
• Hidden Figures (2016)
• Zero Dark Thirty (2012)
Theme Comps:
• Dunkirk (2017)
• The Book Thief (2013)
• Unbroken (2014)
Theme Comps:
• The Hunger Games (2012)
• A Quiet Place (2018)
• Little Women (2019)
Although FOX IN THE SHADOWS is set during World War II, it is rooted in questions that remain urgently contemporary: how violence enters private life, how identity is shaped by circumstance, and how young people inherit responsibilities created by forces beyond their control.
The film draws inspiration from the real experiences of teenage girls involved in the Dutch resistance, whose stories complicate familiar narratives of heroism by foregrounding intimacy, restraint, and cost. These accounts feel especially resonant today, as conversations around gender, agency, and historical memory continue to evolve.
By focusing on a small, personal moment rather than large-scale spectacle, the project aims to preserve nuance and human complexity. With the added goal of honoring the past while speaking to the present. FOX IN THE SHADOWS is not intended as a history lesson, but as an act of cultural remembrance grounded in empathy.
Filming in Sept-Oct 2026 with post-production completed by March 2027 to meet 2027/28 festival submissions.
Total Campaign Duration: 18 months Start of Festival Submissions: June 2026 Public Release: After final major festival screening (target mid-2027)
Targeting mid to top-tier North American festivals including premiering at Palm Springs International ShortFest (the largest U.S. short film festival, great industry exposure. Ideal U.S. or world premiere.), Aspen Shortsfest (CO), Indy Shorts International Film Festival (IN), HollyShorts Film Festival (CA), Santa Barbara International Film Festival (CA), Cleveland International Film Festival (OH).


Trudi Vos is 20—young, beautiful, and deeply embedded in the Dutch resistance. After losing her mother, she became both soldier and protector, leading missions by night and shielding her sister, Frieda, by day. Trudi doesn’t wear a uniform, but she thinks like a tactician—measured, poised, and dangerous when she needs to be. She fights with charm, strategy, and unshakable resolve, all while carrying the quiet weight of what she’s seen—and what she’s willing to do.

Frieda Vos is just 15, but war has already redrawn the shape of her childhood. Sheltered by her older sister Trudi, after the loss of their mother, she’s spent years watching from the sidelines. Intelligent, intuitive, and braver than she realizes, Frieda is thrust into a moment that claims everything: her family, and her innocence. What begins as curiosity turns to survival, and transformative. We witness not only the loss of her childhood, but the effect of war, turning the young into hardened warriors.

Well-dressed, well-spoken, and utterly chilling. The SS Officer in Fox in the Shadows is more than a symbol of Nazi authority, he’s a predator in plain sight. Beneath his calm demeanor lies a sharp intuition and a hunger for control. He enjoys the cat-and-mouse tension of power, especially with women he thinks serve him. But what he doesn’t see is that the trap isn’t his to set. He brings with him the seductive danger of the regime: clean on the surface, rotted underneath. He’s the man who smiles while hunting the enemy.
The heart of this story. Offering a universal, relatable hook, particularly for younger audiences and festival juries.
Aspect Ratio: 16:9
A grounded, domestic frame that supports the realism of Mildred’s lonely but ordinary morning. The wider ratio gives a sense of space above and below, but keeps the sides of the frame tighter, boxing her in.
Lighting: Warm, Motivated by Sunrise
Light spills in through the windows with a warm, golden hue, evoking the feeling of life.
The kitchen, dining area, and front room glow gently with morning softness, suggesting the remains of a daily ritual she performs out of habit, not purpose.
Mood: Static but Familiar
Compositions are still, centered, and locked-off with no extra movement, merely observational. Subtly emphasizing her boxed-in world.
Aspect Ratio Shift: 2.4:1 Cinemascope
This new aspect ratio introduces subtle tension and unease—a world that is more cinematic, and less alive.
Anamorphic lenses warm the edge of the frame, suggesting an in-between world.
Lighting: Soft, Cool, Cloud-Diffused Daylight
The natural light remains motivated by the same windows, but no longer feels warm. The sunlight is now softer, cooler, and more indirect. Subtle gray-blues and gentle shadows. No golden warmth.
Atmosphere: Subtle Haze from the Shower
A slight visible haze lingers in the air, grounded in story logic: the shower was running when Mildred died. It adds a supernatural glow to the space, softening edges, and textures.
Chris Liles is an experienced writer/producer/director whose talents bring depth and cinematic vision to Fox in the Shadows. He has previously written, produced, and directed the award nominated short film The Promise (2024), and is currently in post production on Purgatory Pending (2026), demonstrating his all-in creative approach. With a background that includes underwater cinematography and camera work on high-profile TV programs like Shark Week and Top Chef, Chris brings a technical precision and visual flair that creates compelling storytelling.
Location: TBD
Inspired by true stories of resistance, sisterhood, and survival.

Location: TBD
The Fox in the Eagles Nest; stage for seduction and deadly encounters

Location: TBD
Frieda evolves from a protected sister to a cunning survivor
